Author: Tim Gauthier
We’re proud to present a new section on the Dim Mak blog called “Holland Days with Jamal”. In these weekly series our newest intern Jamal will interview various artists and at the same time learn a lot about the American culture and the Dim Mak family.
Jamal’s second interview is with one of Dim Mak’s own artists PeaceTreaty, who will be playing tonight at Dim Mak Tuesdays. Big Room House fans can be very excited as they’ll also be releasing “In Time Remixes” EP next week on Dim Mak Records. You can pre-order the EP on iTunes here.
Tickets: In order to get tickets for tonight’s show, click here: http://bit.ly/TeoPEi
Also, PeaceTreaty are giving away 2 pairs of tickets for tonight’s show! Head over to there Facebook page for more info.
Hi guys, could you tell me what you’re doing on this very moment?
Josh: Right now I’m actually working on finishing up this disco track that I started the other day and hopefully it gets done tonight. I guess it depends on the groove and how much coffee I have brewing.
You’re busy finalizing your album which is planned to come out on Dim Mak Records. How do you guys feel about the tracks?
Josh: The tracks are coming out great its gunna be quite the relief when this is all done as its been going on for quite a bit and I know everyone is really anxious to hear it. The best part about the creation of this album was exploring our creativeness to make other genres and experiment with all types of production tricks and techniques but adding our own twist to it. We got to work with a lot of great people which was quite humbling and we couldn’t be happier with how these collabs are coming out. In all we are more then excited to show everyone out there how who we are and actually becoming.
Will you be playing some tracks of that album on February 12th at Dim Mak Tuesdays?
Josh: Of course. Thats probably what I am most looking forward to.
What would you do if Steve (Aoki red.) was standing next to you with a cake in his hand?
Josh: It all depends on the cake. Obviously if it was a type of chocolate cake we join in on a very exquisite candle lit dinner but if it’s like strawberry or some crappy cake like that then anything applies.
How did your date with the mysterious PeaceTreaty girl (where you got the name from) go, back in the day? Please describe it to us.
Ummm it was fun. It was definitely a starting point for me in wanting to actually pursue producing. I remember we would always listen to BBC Radio 1 like Kissy Sell Out & Pete Tong every week and I always thought it would be unreal to actually get one of my tracks played on there as I was just starting this out on my own the time. Sure enough it all came true. Its quite amazing to look back and see some of your accomplishments but really you never ever think about it cause your always too busy trying to look ahead.
Finish this sentence: Big room… House
If you had to pick: Ableton, Logic or FL Studio?
FL Studio but unfortunately we use Logic.
Jameson or Crown?
Double jameson straight on the rocks with a shot of pickle juice.
Today, Los Angeles native and producer/ DJ Clockwork releases his Surge EP on Dim Mak Records, two tracks of dynamic melody anchored in the undulating low-end that typifies modern Electro House. With his unapologetic big room aesthetic, the New York City-based performer…
Today Proxy released his second LP of the Music from the Eastblock Jungles. After the first release the Russian artist is set to take you to his next journey of dark synths and vibes. The release will be followed by a European Tour.
Part 2 forces an unconditional surrender with a mix of acid (“Audio 15″), ambient (“Nanomed”), Eastern-flavored pop (“Coke”) and hip-hop inflected head-nodders (“9000″). The second part has been crowned by Mixmag as “Electro album of the month. 5/5”.
Today one of Dim Mak Records’ superstars, TAI, released his “Tailand” EP. This EP that the German electro producer has put out consists of two original smooth electro house tracks (“Tailand” and “Burnout”) and one remix of “Tailand” by Peking duK. With the “Chili Bamboo”…
“Walk In The Fire” is metal/drum & bass track which combines the best of two worlds. “Walk in the Fire” kicks off with a guttural guitar grind before coalescing into an electro dubstep break fueled by screams and wild production. Setting the dance floor ablaze like never before, it injects a healthy helping of heavy metal intensity into a drum n’ bass dubstep monster that claws right out of the box. This pure and raw track consists full of energy which will give you a boost for the entire day and night. It will both satisfy the metal- and dub-heads out there, so if you have a friend that’s not fully convinced of the power of electronic music, this track might give them the little boost they need. Schoolboy comes with a Knife Party-like electro remix and Culprate makes an intense dubstep version out of it.
The EP release is the latest release before their long-awaited Full Length “Irreverrence” comes out on Dim Mak Records on March 19th.
Following the release of “Irreverence”, Dirtyphonics will embark on their North American “Irreverence Tour.” Launching March 27 in Vancouver, the 30+ date tour will take them through many major markets as well as anticipated performances at this year’s Coachella where they will perform both weekends Sunday, April 14 and Sunday, April 21. Their live show is a full-on sensory experience more akin to seeing your favorite band than a typical EDM act. They bring a level of energy that’s rare in modern music. A limited amount of tickets for all upcoming US dates are immediately available for purchase direct from Dirtyphonics at: http://dirtyphonics.frontgatetickets.com
Today the official music video of Phat Brahms (Directed by Lionel DUPONT, winner of Genero.TV‘s Phat Brahms music video contest) was released. MTVU had the honor to premiere it during MTV Clubland.
Watch the video below. You can now order Phat Brahms and Phat Brahms Remixes on iTunes!
Even though this track doesn’t come out until March 5th on Dim Mak Records, it’s no doubt that it’s already becoming a true Trap classic. Keys N Krates‘ “Treat Me Right” has been played dozens of times already by the likes of TNGHT and everybody is jumping for the track to be released. Annie Mac had the honor to premiere it during her BBC Radio 1 show this last weekend.
Over the last year, Keys N Krates toured with and played alongside artists including; Pretty Lights, Lotus, Skrillex, Girl Talk, Kid Cudi, Metric, Timbaland, Zed’s Dead and more. In 2012 the band continued to make an impact on the festival scene, playing major shows at Wakarusa, Ultra Music Festival, Movement Festival, Osheaga and Sonar in Barcelona. The band also produced several hype machine chart topping remixes for Bassnectar, Adventure Club, Zeds Dead and Nelly Furtado.
To really grasp what Tune, Matisse, and Jr. Flo bring to the stage, you have to see it up close. Their shows are filled with high-energy sets that are made to be witnessed live. The guys continue to craft and grow their sound and style, exposing audiences worldwide to the Keys N Krates experience.
You can listen to the radio rip below.
Hot Mouth is back and with an awesome remix of Angger Dimas’s and Oliver Twizt’s big tune XXX. This production has a unique feel while absolutely destroying the dance floor with it’s big room, dirty electro sound. We highly recommend picking up this track when it releases on Dim Mak Records on February 26th.
The Phat Brahms Remixes EP just came out a week ago and we’re very happy to see that some remixes are storming the Beatport Electro House charts!
– Dmitri Vegas & Like Mike vs Steve Aoki & Angger Dimas – Phat Brahms (Cold Blank Remix) is on #13
– Dmitri Vegas & Like Mike, Coone Ft. Lil Jon – Madness is on #17
– Dmitri Vegas & Like Mike vs Steve Aoki & Angger Dimas – Phat Brahms (Wolfpack Remix) is on #82
Head over to Beatport, download the tracks and let’s get these tracks in the top 10!
[tabs titles=”Listen on YouTube, Listen on Spotify”]
He just got back from the Grammy Awards, but Steve Aoki is already back with another podcast of “Aoki’s House”!
Already number 4 and it sure is a pleasure for you mind and might just give that eargasm you’re looking for.
Subscribe here: http://smarturl.it/aokipodcast
If you didn’t have a chance to make it out to Dim Mak Studios this past Tuesday then you’re in for a special treat. We had one of our writers, Jenna Browning cover the night to remind you all of what you missed out on. You can also check out upcoming events at Dim Mak Studios here. Enjoy!
“Tuesday nights at Dim Mak Studios are always a special time, not only because of the artists that grace the stage but also because of the people who fill the club. The crowd that comes to Tuesday nights just likes to get down, and that’s exactly what they did at Dan Sena’s EP Release Party featuring Trap-A-Holics.
Man-of-the-hour, Mr. Dan Sena himself was first to kick things off in the main room. His set featured a little bit of everything from hard hitting dub step bass to danceable drum kicks that showcased some great
vocal samples. Sena hit you right in the heart with his bass drops but showed a lot of restraint as well when he would pull back the beat and let the samples speak for themselves. Everybody is doing dub step these days, but to have a consistent melody throughout the song is a hard skill to master, and Sena did it wondrously. A highlight was definitely his dropping A-Trak’s “Like A Dance Floor” as well as when he slowed down the beat to “All The Way Turned Up.” Sena ended his set right with “Hold On” By Monsta which had the club grooving.
Next up on the decks was DJ Slink who brought the bass level even higher when he laid down his Trap mix. Slink did a good job of turning classic songs into his own like Pharrell’s “Everybody Nose,” where he turned a familiar chorus line into a robotic style voice that definitely had a unique stamp on it. He played other popular classics as well like Dead Prez’s “Hip Hop,” which had the tables shaking with the earth quaking bass. He ended his set with a performance from rapper Whisky Pete who rapped live over Slinks beats until he threw down his final jam “Shook Pt II,” which is always a solid classic.
After Slink’s set ended and you thought the bass went up as high as it could, Trapaholics took the stage in a Fatal Crew T-shirt and cranked it up even higher. The set was perfect for both old and new trap fans alike, as Trapaholics’s song selection was like a magical journey through the genre. He paid homage to Waka Flocka, Rick Ross, Three 6 Mafia and pretty much everyone else who ever had anything to do with making Trap popular. He played all the classics from Trinidad James’s “All Gold Everything,” to “Trap House” by Gucci Mane, to “Respect Me,” by Rick Ross. He threw down bass that got you to bob your head in the dirtiest of ways with a stank grin on your face while you moved your feet almost unconsciously. This wasn’t your normal type of bass; it was some heavy hitting deepness that welled up in your throat.
All in all, it was a night of epic bass in all its glorious forms. Everyone who stuck around to catch all the sets definitely danced the night away to hard-hitting beats and not to mention the sick visual cubes that were video-mixed live by the masters behind the Dim Mak Studios sound booth. ” - Jenna Browning