Grammy-nominated international producer/DJ Steve Aoki joins forces with Grammy-Award-winning, multi-platinum alternative rock band Linkin Park to release the A LIGHT THAT NEVER COMES (Remixes) EP. Aoki and Linkin Park enlist a diverse pool of producers to remix their massive hit collaboration “A Light That Never Comes.” Featuring renditions from Rick Rubin, Vicetone, Angger Dimas, Coone, and others, the A LIGHT THAT NEVER COMES (Remixes) EP takes the original and flips it into the worlds of electro, house, hardstyle and beyond.
After much consideration of a whopping assortment of multi genres submissions, the winner of the Dancing Astronaut, Dim Mak & WAVO “Bring You To Life (Transcend)” remix competition has been awarded to REGOTON!
Regoton has utilized smart production, an irresistible Melbourne-Bounce lead and great variation that edged out the other contenders. However the competition was so fierce, we felt two other remixes were very close so we have awarded them our Staff Choice winners: Hallvard Vaaland Remix and Inscape Remix, both bringing two unique takes. Hallvard Vaaland creates high energy anthemic vibes that will impress progressive house fans and on the flip side, Inscape takes a direction opposite to many of the other submissions by demonstrating how chill & downtempo influences can be implemented in reworking a track into a wholly different vibe.
Congratulations & thanks for your entries!
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Over the past decade, Belgian DJ extraordinaire Coone (aka Koen Bauweraerts) has been building a name for himself in dance music circles as a global ambassador for hardstyle, the bass-heavy, high-BPM genre that’s managed to wallop its way over the Atlantic from Europe. And stateside clubbers have indeed taken notice, with LA-based arbiter of taste Steve Aoki signing Coone to his own Dim Mak label. Hardstyle, it seems, is set for worldwide take-off. Now here’s your chance to make your mark in 2014 by remixing Coone’s hard-storming anthem “150 BPM” from his latest album, Global Dedication. Enter this Play contest before February 3 for your chance to win a Novation Launchkey 49, a Novation Launchpad S, and an official release on Dim Mak Records.
[highlight style=”bordered”][highlighttext title=”150 BPM REMIX CONTEST” titlesize=”h3″ subtitle=””][/highlighttext][highlightbutton][button color=default-button3 url=”http://play.beatport.com/contests/coone-jim-ferren-150-bpm” size=”big-button” target=”_self”]MORE INFO[/button] [button color=default-button3 url=”http://play.beatport.com/contests/coone-jim-ferren-150-bpm/rules” size=”big-button” target=”_self”]RULES[/button] [button color=default-button3 url=”http://play.beatport.com/contests/coone-jim-ferren-150-bpm/#prizes” size=”big-button” target=”_self”]PRIZES[/button][/highlightbutton][/highlight]
When he isn’t spending his time running the trap as RL Grime, Henry Steinway is annihilating dancefloors
[highlight style=”bordered”][highlighttext title=”PURCHASE / DOWNLOAD/ STREAM” titlesize=”h3″ subtitle=””][/highlighttext][highlightbutton][button color=default-button3 url=”https://itunes.apple.com/us/album/nasty-single/id776658736″ size=”small-button” target=”_blank”]ITUNES[/button] [button color=default-button3 url=”http://www.beatport.com/release/nasty/1217413″ size=”small-button” target=”_blank”]BEATPORT[/button] [button color=default-button3 url=”http://www.amazon.com/Nasty-Autoerotique/dp/B00HGPAMZU/” size=”small-button” target=”_blank”]AMAZON[/button] [button color=default-button3 url=”http://youtu.be/zefpdIWtQvA” size=”small-button” target=”_blank”]YOUTUBE[/button] [button color=default-button3 url=”http://open.spotify.com/album/3SumGxCTTaqjNPH5zlnf9k” size=”small-button” target=”_blank”]SPOTIFY[/button][/highlightbutton][/highlight]
Autoerotique continues to be a powerhouse for production, performance, and panache. Though his most recent release, “LZR BASS”, may qualify as an eighth step back in intensity from this year’s favorite, “Asphyxiation”, it can still only be described as an unrelenting electro house track. Full alarms blaring, no bass retreating, that’s Autoerotique’s style.
Safe to say that “Nasty” furthers his signature style and jocular attitude. The track plays host to a dominating vocal chorus, “I Like It Nasty”, which sounds rather like Siri (if we are picking from well-kown female robotic voices).
Australian duo Yolanda Be Cool return with All That She Wants feat. vocalists SYF and Fritz Helder formerly of Azari & III – their first piece of work since the Canadian outfit recently disbanded.
This collaboration between four of the brightest minds in electronic music today resurrects the Ace Of Base ‘90s pop classic in a cool, brooding, chugging fashion. The two-part remix EP releasing on Dim Mak Records February 4 and February 18 respectively, includes the original version from Yolanda Be Cool and features remixes from a cast of rising producers including Human Life, Walker & Royce, Plastic Plates, Wordlife, and Go Freek.
Battle of the Beats is a feature from Dancing Astronaut that pits two remixes against one another to determine which production made better use of the original. With remix packages growing in length and increasing in frequency, the number of reworked tracks has skyrocketed. After wading through the archives, we are opening it up to our readers to weigh in on whose rendition takes the proverbial cake.
Kaskade & Project 46 – Last Chance (Dirtyphonics remix)
France’s Dirtyphonics make good on their name with their remix of Kaskade and Project 46′s uplifting Atmosphere collab. Ratcheting the tune from 128 to 140 bpm, the quartet beef up the bassline while modifying the melody into something a tad more face-melting. Supporting the vocals but snipping away a few refrains, the remix instead highlights a rebuilt dub framework complete with deep dips and a heavy dose of reverb. Only the second Ultra outing for the Dim Mak regulars, the Dirtyphonics remix of “Last Chance” demonstrates their versatility.
Kaskade & Project 46 – Last Chance (Clockwork remix)
Debuted at EDC Las Vegas, Clockwork‘s remix of the collab wastes no time getting to the punchline. An electro take on the euphoric tune, the track utilizes the pounding tribal-esque percussion popularized at festival grounds around the world this summer. Structured as a back and forth between vocal and vertigo-inducing builds, the tune also engages in a bit of piano chord play that allows the original’s plucky bridge to peek through. Spanning several genres while consistently hitting the crowd-appeal note, Clockwork’s rework has celebrated its success with a spot on the Beatport Top 100.
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Now that we’ve just about finished getting excited about the new divergences, tangents and confluences that resulted in the new styles and genres of 2013, it’s time to start coining some new ones. Future soul might not mean much to us now, but it sounds pretty exciting. And who better to give us a personal introduction than Grammy nominee Kenna.
“Pink Matter” – Frank Ocean
I think this song was overshadowed by the many other records that Frank has put out. I think it resonated with me because it reminded me lyrically of the things in my head that I may or may not ever want people to find out. Some insane things go through it. Outside of that, like I told Frank, he could sing the phone book and we would listen.
“I’m Into You” – Chet Faker
This dude has great tone. Not sure if this is “future soul” but it is soulful to me. I think we have a divergence in sound vs. genre. This is the type of record that bends the rules and this is the type of artist that leaves you wondering where his soul will lead us.
“Treat Me Like Fire” – Lion Babe
Her name is Lion Babe. What man isn’t going to want to know what that sounds like. After you hear her though, you can feel her influences in the delivery of her melody, but the song is original. The video is raw and rad. Her name is Lion Babe, for the love of God.
“Cold Nites” – How to Dress Well
A friend put me on to this. I think it just has a great deal of raw energy in it. The lyrics are bent towards the ethereal and allows you to morph it into your own life. The strength in it is its illusive quality – it’s just mesmerizing.
“Love Is Still Alive” – Kenna
I’m biased on this one. Its one of my favorite songs because it is delimited. This song speaks of the dimensions in between communication and life. It challenges the sacred geometry of coming back from a death in love to find a resurrection.
“Only When I Walk Away” – Justin Timberlake
This song is an evolution in Justin’s melodic journey. He challenged himself to meld worlds and bring angst to a beat with the R&B overtones. I don’t think production of this can get any better. The show version kills.
Appetite suitably piqued? Check out Kenna’s new video for “Relations”, featuring Childish Gambino,here.
(via The Line Of Best Fit)
London-native alternative geniuses Scanners have unveiled the new music video for their track “Charmed Life” from their album Love Is Symmetry, released earlier this year on Dim Mak Records.
The haunting and unforgettable “Charmed Life” is a versatile track that perfectly sets the mood for a serene sunset car ride. Simple yet eerie, the “Charmed Life” video features a close-up shot of vocalist Sarah Daly shot through grainy and beautifully filtered cinematography. The video is sprinkled with scenic shots, images of the band performing live in a living room setting, and a whirlwind spin featuring each of the band members.
Scanners have been part of the Dim Mak family since 2006 with the release of their album Violence Is Golden. They have also released a number of projects on Dim Mak Records, including Submarine (2010) and their latest Love Is Symmetry (2013) along with several singles and remix pacakges.
Our favorite hardstyle artist, and Dim Mak’s first-ever hardstyle signing, Coone just topped the Beatport Hard Dance Top 100 Releases chart with his new album Global Dedication. Available now on Dim Mak Records in conjunction with Coone’s influential hardstyle imprint Dirty Workz, Global…