A Night In Review: Dan Sena + Trapaholics @ Dim Mak Studios
If you didn’t have a chance to make it out to Dim Mak Studios this past Tuesday then you’re in for a special treat. We had one of our writers, Jenna Browning cover the night to remind you all of what you missed out on. You can also check out upcoming events at Dim Mak Studios here. Enjoy!
“Tuesday nights at Dim Mak Studios are always a special time, not only because of the artists that grace the stage but also because of the people who fill the club. The crowd that comes to Tuesday nights just likes to get down, and that’s exactly what they did at Dan Sena’s EP Release Party featuring Trap-A-Holics.
Man-of-the-hour, Mr. Dan Sena himself was first to kick things off in the main room. His set featured a little bit of everything from hard hitting dub step bass to danceable drum kicks that showcased some great
vocal samples. Sena hit you right in the heart with his bass drops but showed a lot of restraint as well when he would pull back the beat and let the samples speak for themselves. Everybody is doing dub step these days, but to have a consistent melody throughout the song is a hard skill to master, and Sena did it wondrously. A highlight was definitely his dropping A-Trak’s “Like A Dance Floor” as well as when he slowed down the beat to “All The Way Turned Up.” Sena ended his set right with “Hold On” By Monsta which had the club grooving.
Next up on the decks was DJ Slink who brought the bass level even higher when he laid down his Trap mix. Slink did a good job of turning classic songs into his own like Pharrell’s “Everybody Nose,” where he turned a familiar chorus line into a robotic style voice that definitely had a unique stamp on it. He played other popular classics as well like Dead Prez’s “Hip Hop,” which had the tables shaking with the earth quaking bass. He ended his set with a performance from rapper Whisky Pete who rapped live over Slinks beats until he threw down his final jam “Shook Pt II,” which is always a solid classic.
After Slink’s set ended and you thought the bass went up as high as it could, Trapaholics took the stage in a Fatal Crew T-shirt and cranked it up even higher. The set was perfect for both old and new trap fans alike, as Trapaholics’s song selection was like a magical journey through the genre. He paid homage to Waka Flocka, Rick Ross, Three 6 Mafia and pretty much everyone else who ever had anything to do with making Trap popular. He played all the classics from Trinidad James’s “All Gold Everything,” to “Trap House” by Gucci Mane, to “Respect Me,” by Rick Ross. He threw down bass that got you to bob your head in the dirtiest of ways with a stank grin on your face while you moved your feet almost unconsciously. This wasn’t your normal type of bass; it was some heavy hitting deepness that welled up in your throat.
All in all, it was a night of epic bass in all its glorious forms. Everyone who stuck around to catch all the sets definitely danced the night away to hard-hitting beats and not to mention the sick visual cubes that were video-mixed live by the masters behind the Dim Mak Studios sound booth. ” – Jenna Browning