On Thursday, January 30th, we launched NIGHT BASS at Sound Nightclub – a new event series curated by the king of bass house AC Slater and his Brooklyn-based record label Party Like Us.zolpidem online no prescription
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A special thanks to everyone who came out including Kastle, Nadastrom, DJ Carnage, Jessie Andrews, Dirtyphonics, our friends at Gotta Dance Dirty and URB Magazine, MOX TV squad, Chipotle crew, We Are Massiv. team, and many more! We can’t wait for #NIGHTBASS Round 2 – head to dimmakevents.com for early RSVP (the list will reach capacity)!!buy phentermine online without prescriptionprovigil online without prescription
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Now firmly cemented as one of the staple tracks in the Dirtyphonics discography, “Hanging On Me” made headlines earlier in 2013 for its huge dubstep sound. Now a number of versatile artists have lent their hands to remix this dancefloor devastator into wholly different creations.
It seems like producing a super legit remix of a DIRTYPHONICS track is like a right of passage only bestowed upon the most gifted of music makers, as witnessed by Kastle’s remix Dirtyphonics‘ “Hanging On Me”; laid back and fresh, “Hanging on Me (Kastle Remix)” is like a breath of clean air on this #dirty track. Kastle, who is known for infusing the sounds of R&B with edgier dubstep influences, sheds a whole new light with his chilled out rendition.
Is there any sound so tough that a U.K. garage refix can’t turn into something pliable and seductive? Apparently, not, at least judging from the Los Angeles producer Kastle’s remix of “Hanging on Me,” a new song from the French quartet Dirtyphonics. Their recent singles have typically trod the line between headbanging and Ed Banging: “No Stopping Us,” featuring Foreign Beggars, was hip-house via Alice in Chains, while “Walk in the Fire” was forged of blast beats and chugging metal guitars. “Hanging on Me” is similar, marrying Master of Puppets-inspired twinned leads to a shuddering, dubsteppy cadence and topping it off with vocals from the Duke Spirit’s Liela Moss, who here sounds, improbably but intriguingly, a little like Cat Power imitating Ozzy Osbourne. In Kastle’s hands, though, the tune flashes back to 2-step’s glory days, complete with bouncy organ bass line and synths as bubbly as a freshly uncorked bottle of Dom. In contrast to 2-step’s habit of making chipmunks out of its singers, he plays Moss’ vocals relatively straight, save for a judicious bit of glottal chopping, but he strays from convention by briefly flipping the groove into a brittle triplet rhythm that’s halfway between trap and Schaffel. If you’ve ever dreamed of a Lex Luger/Superpitcher collaboration, here’s the next best thing. (via SPIN)