Tomorrow evening, January 14th, we are pleased to once again have our good friends at the legendary Ed Banger Records in the house for Feadz’s album release party where he’ll be promoting his latest LP Instant Alpha. Joining Feadz on the decks will be Sydney-based tech house producer Light Year, up and coming production duo Phantoms whose self-titled EP is out now on OWSLA’s Nest, LA-based producer Mike B, and our trusty resident Bones! This isn’t the first time Feadz has brought the beats to our beloved #DimMakTuesdays – last March, he tore up the decks with Oliver Twizt and gave LA a rare taste of what he and the Ed Banger crew have been cooking up over in Paris. Recently, we had the opportunity to chat directly with Feadz before the big event tomorrow and, needless to say, this producer is one game-changing BADASS.
Enjoy an exclusive preview of Instant Alpha (100% satisfaction guaranteed) which is now available for purchase exclusively on Beatport!
[highlight style=”default”][highlighttext title=”Get schooled on all things Feadz in our exclusive interview with him!” titlesize=”h6″ subtitle=””][/highlighttext][/highlight]
1. What can people expect from your set this week at #DimMakTuesdays?
I hope the unexpected.
2. This isn’t your first time playing #DimMakTuesdays – in fact, you played here last March with Oliver Twizt! What do you think about #DimMakTuesdays?
I had a warm welcome and reaction and I love the fact that it is on a Tuesday. For me it represents people’s concern about music and not a random crowd who is going out on the weekend.
3. You’ve been referred to as “a child of hip hop,” can you tell us some of the artists who’ve influenced your music from the beginning? How do you feel your sound has evolved throughout the years from hip hop style turntablism to more techno-sounding productions?
Public Enemy has been the major influence in my life – so much room for scratching and so much great music, pitched down or up or manipulated in extreme ways for a result that is unexpected and not regular in a classic music eye. I think hip hop is becoming more & more techno over the years – it’s more minimal, it’s more synthetic, and I think my sound has followed the same path unconsciously.
4. You were in a scratch band in the early 90’s, what was that like?
It was a lot of guys, of lot of smoke, a lot of sweat, and a lot of technical practice. It was great for a while.
5. You’ve been with the legendary Ed Banger Records since 2005, how did that partnership first come about?
Paris is small and Pedro Winter has always been an influential DJ, so from my first records, I was giving them to him and he was liking my sound. As soon as he created the label, he offered to release my music.
6. It’s been awhile since you’ve been in LA, what are you most looking forward to while being out here? What’s your take on the LA music scene?
Of course i’m looking for better weather than here, and I’m very glad to show LA the music that I consider to be the best . I feel very far from the scene, being at the Hard Festival last year in LA I couldn’t believe the amount of horrible music I heard. For a country who invented techno music, I can’t believe the direction it went in and the music that is popular out there. I’m sorry to say that but I think Americans have terrible taste when it comes to electronic music. But on the other hand, it’s never been that popular so it’s still good and I got faith on many U.S. producers who are gonna level it up.
7. You’ve done remixes for Boys Noize, Cashmere Cat, Surkin, & Mr. Oizo to name a few. What have been some of your favorite collaborations so far?
All those mentioned here are collabs that have made me very happy . I couldn’t really choose a favorite amongst them.
8. What’s your take on the evolution of djing and what do you see as the future of edm?
DJing is turning more and more has a producer representation. It’s a little sad that the original job of the DJ – finding great music for you to discover and dance to – is thought less of than your average entertainer (who is gonna play easy and raise his hands on every track to put you in the mood). And as I was saying, I think the music can only get better as I think it’s pretty horrible right now – just my opinion though, I’m known to be pretty critical but it’s just because it’s important to me.
Tuesday, January 14th
$5 w/ RSVP before 11 p.m. ($10 after) | RSVP to GuestList@DimMak.com (hurry because the guest list is filling up fast!)
Or purchase presale tickets here to ensure entry.
6356 Hollywood Blvd.
Los Angeles, CA 90028[/one_half_last]
The party never stops when the Dim Mak crew is on scene. If you thought day 1 in Miami was wild then days 2 and 3 of WMC 2013 were nothing less than savage.
Things got wet and, well, weird as we hosted our highly anticipated Dim Mak Records Pool Party on Day 2. The Raleigh Hotel pool was full of babes in bikinis and dudes ready to dance their faces off. With rousing performances by Steve Aoki, Dzeko & Torres, Dirtyphonics, Laidback Luke, Keys N Krates, Yolanda Be Cool, Borgore & Carnage, Clockwork, and Benny Benassi, just to name a few, the day turned into night and back to day before anyone even realized it happened.
The insanity continued on day 3 as we made our way to the OWSLA Party at Red Bull House where we undoubtedly had our share of fun.
Make sure you stay tuned for “Dim Mak Invades Miami – Part 3″ to catch us at Ultra Music Festival.